RYSLIG - MODS (
rysligmods) wrote in
graveyardsmash2016-05-07 12:36 am
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TEST DRIVE : MAY 2016 EDITIOIN

- You can only app ONE character per round so choose wisely.
- We now have a Quick Game Facts that simplifies the basic information about the game. Good if you want to see what the game is at a glance!
- Ryslig's FAQ is located here, so please take a look if you have questions.
- The Reserve date is MAY 20ST 12:01AM EST.
- There is an Enable Me / App this Plz to see what some people are offering or would love to play.
- Test drive meme threads can be used for your roleplay sample!
- Players with characters already in the game can earn up to a maximum of 6 coins by replying to potential character threads! You cannot use this to go over the bonus 20 coins per month total, but you can use it to reach that coin total. Same rules as normal bonuses apply.
Sample scenarios:
SCENARIO ONE: So you've just arrived, and already SOME the natives are trying to get on your good side. Offers of food, shelter and other luxuries in return for hoping you don't eat them. They even have some helpful pamphlets to share with you. "How To Deal With Changes", "Alternatives to Human Flesh", "What to Expect When You're Expecting (to turn into a monster)" are all great pamphlets. There's even some detailing certain monsters, and the changes they go through. Some of these seem to have been passed down from one monster to the next.
Among these however, are some... not so helpful ones. "Bunnyipyips And You", "Axe Thief Axehounds," and "So you're becoming a Fur Bearing Trout" among others. Sometimes they have marks on them from previous people who had them saying they are lies, or pointing out good "jokes."
Then there's the people who aren't happy to see you at all. Glares and silent, judging stares if you're lucky. Torches and pitchforks attempting to drive you out of the town if you're not. You may need a friend to help you.
SCENARIO TWO: You've become hopelessly lost in Lager Woods. Paths don't seem to lead where you remember them leading, and you feel as if you're going around in circles. Childlike giggling can be heard from no direction in particular. Suddenly, you stumble upon another character, who seems to be just as lost as you! Perhaps you can find a way out together. Or maybe they want you for lunch...
SCENARIO THREE: The time has come and you've found yourself becoming a monster. Is the change instant, or gradual? Are you familiar enough with monsters to know what's happening, or is it a complete shock? NOTE: Feel free to pick any monster type for this prompt, but note that you may not get the same one in game.
SCENARIO FOUR: The claws, the fangs, the pangs of hunger - horrible as they all are, it's manageable given enough time and perseverance. Local monster hunters, though, not so much.
Maybe it started with a few wayward glances on the outskirts of town, critical stares and disapproving whispers, or just the misfortune of being in the wrong place at the wrong time. Whatever it was, deserved or entirely unprovoked, you're being hunted: a handful of aggressive, well-armed humans doggedly chase your trail throughout city streets and out into the open, and if you're not careful (if you don't find help soon) you might wind up as the next trophy kill claim on one of those hunter's walls.
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It's sort of stupid, how deeply and profoundly that hits him.]
...Something like it. Yeah. Wings, scales, claws. Tail. I can breathe fire. I —
[He wants to not talk about fire powers, actually, to Polnareff. So he briefly frees a hand and turns the back toward Polnareff, showing him the design inlaid in scale there.]
It looks like Star Platinum, doesn't it?
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[It does-- especially when he turns his hand up like that and the scales catch the light. Purple, just like Star, which--
It's hard, sometimes, knowing if he should bring things up. Sometimes their lives feel like a landmine field-- there's so much between them that's hard to say, that should or shouldn't be brought up. It's not Jotaro; Giorno's the same way. He's the same way.
He'll ask about Star later. He knows the grief of losing a Stand, but they're still working through Polnareff's own appearance. He won't force Jotaro through another emotional wringer so early in the night.]
Shit, now you just have to shout ora every time you punch people and you're set. Which shouldn't be too hard, here, actually-- you might get into more fights here than home, I think.
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[A little awkwardly, he gathers Polnareff in closer, on the pretense of checking his grip and making sure he's supporting him adequately.]
...Did...
[...]
I can — if you want to fly again, I...no one will come up here and fuck with the chair, is what I mean, so...
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[He should probably be a little less enthusiastic about that-- and he is, a little, truly, not quite as enthusiastic as he's making himself sound. But flying is fun, and if Jotaro likes to do it-- well, it'd be nice to do something with him that isn't wrought in death and despair and sadness. Just for once. Call it a change of pace.]
Come on, fly me to the moon.
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[HE'S NOT CRYING, YOU'RE CRYING. NO ONE'S CRYING BUT THERE'S FIGURATIVE CRYING.
There is also not-figurative flying, and this time the launch is less like a rocket and more like a bird taking flight, smoother and less aggressive but with the same secure hold.
Polnareff sounded happy. Even with the screaming and the shock, there was delight in it. That's all he wants, is to make him feel that again. That's all he wants — just to make someone happy, and see it, and feel the emotion that comes with it.]
Next you'll want me to go pick up a girl so you can flirt with her while I cart your ass around.
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[He still clings to Jotaro, his fingers knotted in his shirt, because no matter how sure he is that Jotaro won't let him fall, it's still terrifying. But it's terrifying in a good way, like peering off the edge of a tall building-- his stomach swoops and drops, but it's all right, because there's something wonderfully secure about Jotaro's arms.]
This is amazing! Ahh, Christ, look at that--
[And he's happy, he really is. A little squirmy, maybe, as he twists to glance around, but: happy.]
Tell me you do this all the time.
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[That was probably directed at the part about the girl; he tilts his wings and sends them into a long slow turn, making a wide circle around that same area so Polnareff can keep looking at the sights that are catching his eye, if he so desires.
...Presumably because Jotaro naturally assumes that he is not one of those aforementioned sights. Though he certainly might be.]
It doesn't go away. The wings and shit, so. ...It makes some things easier, but other things aren't.
[...]
I can't go out in the sun, Polnareff.
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Yeah, well-- who likes the sun anyway?
[Fuck the sun. It's a shitty ball of gas and it was a shitty stand.]
All the best clubs are open at night, so now you've got no excuse not to come dancing with me.
[And he offers him half a grin, inviting him in on the joke-- go on, make fun of him, tease him about dancing and picking up girls and stupid European nightclubs, because it's easier to do that than focus on the fact that things are changing again.]
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But then he slowly realizes that it's just Polnareff doing it again. Polnareff saying it's all right, I'm all right, in a different way with different words. Like he's going to keep saying it and saying it until he can get Jotaro to believe it.
And he doesn't, not really, but he wants to.]
You...couldn't get girls when you were at full height. How the hell do you think you're going to get any when you're half a meter shorter?
[...That was terrible. Petty, rude. Insensitive. A cheap shot.
He catches himself holding his breath, subconsciously praying Polnareff will catch what he meant.]
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Get fucked, you bastard-- just because you're not scoring here doesn't mean you get to take it out on me. You're lucky I don't just leave you for some girl right now, with an attitude like that.
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[...Oh. Oh, it turned out okay. How incomprehensible — something should've gone wrong, and it turned out okay.
This is what hope feels like, isn't it.]
And cut the stupid flirting shit. You're twice my age now, it's even dirtier than usual.
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[Not all of us get married, he might tease, but Jotaro might actually drop him, and he had a good point: two hundred meters in the air. So, instead:]
Thirty-three-- I've got so much to teach you about life, my young teenage friend.
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[Says the guy all of about four weeks shy of his eighteenth birthday, but you know.]
Why are you in Italy? I thought you were going back to France.
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[Are they going to have this conversation midair? Why not. At least he's comfortable. Polnareff's mind begins working very quickly, though, because while he's game to tell Jotaro just about everything about the future, perhaps not right this second.
At the same time, though, he can't just blow him off with some shitty answer like because I liked the girls and the cuisine. Jotaro deserves better than that.]
For a few years. But there was nothing for me there, not really-- and there were some things I needed to take care of. A man, actually. A crime lord named Diavolo, who was making life hell for just about everyone across Europe. It took me years to track him down, to figure out how to stop him-- which eventually lead me to staying in Italy.
[A beat, and then, a little more softly:]
You were with me, for most of it. We spent a lot of time in Europe together-- [And then he huffs a laugh, soft and genuine.] --we had the shittiest car, this old boxy piece of crap that hardly had any breaks-- and you were still in college, so half the time you were rattling off all these stupid ocean facts to me because you were coming up on some midterm-- I know more about the ocean than I ever wanted to, now, thanks to you.
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Polnareff doesn't forget the details. He puts in the things that make it believable, the way he laughs about their terrible deathtrap car and the notion of him studying textbooks while they traveled, of normal things like midterms in a tempestuous ocean of a supernatural life.
Despite himself, his grip tightens. This time it's possessive, moreso than secure.]
Did I finish? College. Did we get him? What do you do, now, in Italy? Do you —
[He pauses, unable to help himself.]
...Do you have kids? Or...something?
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[He smiles over at him-- and now, maybe, Jotaro will be able to feel the age difference between them. Polnareff certainly does. Thirty-three, and he thinks of Giorno-- not when he's in Don Giovanna mode, but when he's Giorno, young and unsure and aching to protect the world.]
No kids. Not yet. But I have a . . . someone important to me. He's not my son, but . . . I think of him that way, sometimes. I think he thinks of me the same way-- he never had a real father, not a proper one, so-- we work well together, he and I.
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[It's different, hearing it from Polnareff than it is from a stranger. Strangers say you're this, you're that, you're such and such way, but Polnareff knows him already, and he knows Polnareff. Polnareff always knows who he is. This is no exception.]
...I'm glad. That you have someone. You ought to have someone. So...good.
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[He is glad, actually, and his face softens to think of it. He probably won't ever get married, not now-- trapped in a turtle, what woman would ever want him?-- but at the very least, he has a son.
But enough about him-- he'd rather make Jotaro happy. So:]
A marine biologist, you know, not just any doctor. You get really intimate with starfish-- and of course I'm the one who has to listen when you talk about them. Once a week, on the phone, calling long-distance-- I swear to god, I heard more about it than your advisor.
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[Amazing, how easy it is to fall back into shit-talking like a familiar habit, like an old friend. Polnareff is thirteen years distant from him and he's turned half into a monster and yet this, this, it stayed the same.]
...It's fine now. You know that, right? Those guys down there — this Diablo guy, whoever — nobody's going to touch you, not here. Not anymore. I've, I'll, I can...I can...I'll figure it out.
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You don't have to.
[He says it quietly, as he looks out into the night. If he met Jotaro's eyes, it might be too much-- and this isn't a conversation they ought to have midair, maybe, but it has to be said now, while it's all out in the open.]
Not for me. Not here. I'm thirteen years older than you-- I think that means I'm the one who gets to figure things out and protect everyone for once.
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[Well, no. He does, sort of — the wings, the talons, he can see those. The others he hasn't.
But he's so caught up in considering that, the things at his disposal that he can use to keep Polnareff safe, that he barely even notices the part about how he doesn't have to, and shouldn't have to either.]
And I can't let anything happen to you.
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[He says it firmly-- and now he turns to look at Jotaro, his gaze firm.]
You aren't in charge of keeping me safe and sound-- don't insult me like that, Jotaro, you know better.
[He understands it, of course-- he feels the same way about Giorno, about Jotaro himself, about Mista and Mr Joestar and everyone he's ever known. But that's not how it works, not for any of them, and the sooner Jotaro understands that, the better.]
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[But thirteen years is a long time. It's not raw and recent, still a fresh wound of only a few months ago. Thirteen years is a long, long time to move on and leave it in the past.
Or so he assumes. What does he know about leaving things in the past, anyway.]
You really expect me to just sit back and do nothing?
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[And then--]
I lost my legs and my eye because of my own stupidity. I fell into a trap, and it cost me. And maybe if I'd stayed indoors, stayed out of danger, it wouldn't have happened-- but that's not who I am. That's not my lot in life-- and it's not yours. It never was.
It's one thing to look after each other in battle, to protect me from someone trying to attack. But it's another to look at someone and say: I won't let anything happen to you.
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[But then he stops, immediate and silent, like he's been slapped — or perhaps, more accurately, like he's just startled himself stunned with that outburst, which it turns out that he has. The look on his face certainly reflects it: a flash of alarm chased by wide eyes and a tremor at the corners of his mouth, and all of a sudden he doesn't want to be flying anymore.
But he's holding tight, too tight, as they descend. He's caught in a juxtaposition then, of fear and guilt — that so long as they're in the air, he's coercing Polnareff to rely on him on some level, yet if he doesn't keep holding on, then Polnareff might be all too happy to get away from him.
It's irrational. He knows it's wrong, and stupid, and wholly irrational. But all of a sudden he's panicked and scared and awful, and it probably says something positive that Polnareff is the only one who's yet managed to dig all of that out of him from how deep he'd buried it inside, but that doesn't make it any more pleasant to contend with once it's out.
So they descend, careful and slow, and he finds a place to sit and he puts Polnareff down next to him, side by side, where he can huddle more than sit and lean if he likes and pull his knees up and wish vaguely that the fog would part and let sunlight roll over him and just turn him to stone for a long, long while.]
...
I didn't...
[He swallows hard.]
If you want me to go just say it and I'll go.
[No. Stupid. That wasn't even what he meant, why is that what came out? Why would Polnareff ever tell him something like that, why would he even entertain for a second the notion that he would? Why?]
...No, I'm...
[He's. What? A mess? Fucked up? Wrong?]
...sorry.
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